Deejaying, emceeing, graffiti writing, and breakdancing. Together, these artistic expressions combined to form the foundation of one of the most significant cultural phenomena of the late 20th century — Hip-Hop. Rooted in African American culture and experience, the music, fashion, art, and attitude that is Hip-Hop crossed both racial boundaries and international borders.
The Foundations of Hip-Hop Encyclopedia is a general reference work for students, scholars, and virtually anyone interested in Hip-Hop’s formative years. In thirty-six entries, it covers the key developments, practices, personalities, and products that mark the history of Hip-Hop from the 1970s through the early ‘90s. All entries are written by students at Virginia Tech who enthusiastically enrolled in a course on Hip-Hop taught by Dr. Anthony Kwame Harrison, author of Hip Hop Underground, and co-taught by Craig E. Arthur. Because they are students writing about issues and events that took place well before most of them were born, their entries capture the distinct character of young people reflecting back on how a music and culture that has profoundly shaped their lives came to be. Future editions are planned as more students take the class, making this a living, evolving work.
Book DetailsStandpoints: Black Feminist Knowledges contains essays that explore Black feminist thought through a diverse set of lenses. The essays are divided among sections on localized framing and stereotypes, global perspectives, and the future. The first section of the book analyzes the representations of Black women and the stereotypes that still confine African American women generations after enslavement. Then, the global oppression of Black women is discussed, along with its resistance. Lastly, the book encourages the reader to imagine a new future and engage with activist culture that rejects sexism and racism. This volume is edited by Dr. Andrea Baldwin, Dr. Ashley V. Reichelmann, and Dr. Anthony Kwame Harrison and authored by the students from Baldwin’s inaugural Black Feminisms graduate course in the Virginia Tech Department of Sociology.
Book Details